Andy Marshall: Architectural Photography

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Ecclesiastical 121 images Created 27 Jul 2013

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  • Hexham day two56.jpg
  • Salisbury Cathedraluntitled-1.jpg
  • Southwell Minster Chapter House
    ecclesiastical-1.jpg
  • Ecclesiastical architecture
    IngleshamTip3.jpg
  • Saint James Cooling-1.jpg
  • Chapter House, Lincoln Cathedral
    Lincoln Cathedral Chapter HousLincol...jpg
  • Light shapes at the Anglo Saxon church at Escomb, Northumberland
    Escomb-1.jpg
  • All Saints Harewood, West Yorkshire
    All Saints Harewood-16.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral2.jpg
  • Stained glass mini planet taken from the stained glass at St. Edmund's Falinge, Rochdale
    Eye of the Beholder Print.jpg
  • Ecclesiastical architecture
    ecclesiastical2.jpg
  • Ecclesiastical architecture
    ecclesiastical56.jpg
  • All Saints Harewood, West Yorkshire
    All Saints Harewood-15.jpg
  • The church at Deene contains monuments to the Brudanells
    Deene-35.jpg
  • Ecclesiastical architecture
    ecclesiastical4.jpg
  • Ecclesiastical architecture
    All Saints Billesley1.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral3.jpg
  • Ecclesiastical architecture
    ecclesiastical1.jpg
  • Ecclesiastical architecture
    ecclesiastical7.jpg
  • All Saints Harewood, West Yorkshire
    All Saints Harewood-3.jpg
  • Hexham Abbey vertical panorama
    h2-1.jpg
  • Richards Castle56.jpg
  • Ecclesiastical architecture
    ecclesiastical9.jpg
  • Ecclesiastical architecture
    ecclesiastical10.jpg
  • Ecclesiastical architecture
    All Saints Billesley2.jpg
  • Ecclesiastical architecture
    ecclesiastical12.jpg
  • Ecclesiastical architecture
    ecclesiastical22.jpg
  • Tomb for a standard bearer next to the night stairs at Hexham Abbey
    latest3.jpg
  • Ecclesiastical architecture
    ecclesiastical13.jpg
  • Ecclesiastical architecture
    ecclesiastical14.jpg
  • Ecclesiastical architecture
    ecclesiastical15.jpg
  • Ecclesiastical architecture
    ecclesiastical53.jpg
  • Ecclesiastical architecture
    ecclesiastical16.jpg
  • Ecclesiastical architecture
    ecclesiastical17.jpg
  • Ecclesiastical architecture
    ecclesiastical52.jpg
  • Ecclesiastical architecture
    ecclesiastical18.jpg
  • Ecclesiastical architecture
    ecclesiastical19.jpg
  • Ecclesiastical architecture
    ecclesiastical20.jpg
  • Ecclesiastical architecture
    ecclesiastical21.jpg
  • Ecclesiastical architecture
    ecclesiastical23.jpg
  • Ecclesiastical architecture
    ecclesiastical24.jpg
  • Ecclesiastical architecture
    ecclesiastical25.jpg
  • Ecclesiastical architecture
    ecclesiastical26.jpg
  • Ecclesiastical architecture
    ecclesiastical27.jpg
  • Ecclesiastical architecture
    ecclesiastical28.jpg
  • Ecclesiastical architecture
    Saint Edmunds, Falinge1.jpg
  • Ecclesiastical architecture
    ecclesiastical30.jpg
  • Ecclesiastical architecture
    ecclesiastical31.jpg
  • Ecclesiastical architecture
    ecclesiastical32.jpg
  • Ecclesiastical architecture
    Saint Edmund Falinge6.jpg
  • Ecclesiastical architecture
    ecclesiastical34.jpg
  • Ecclesiastical architecture
    Saint Edmunds, Falinge2.jpg
  • Ecclesiastical architecture
    ecclesiastical36.jpg
  • Ecclesiastical architecture
    ecclesiastical37.jpg
  • Ecclesiastical architecture
    ecclesiastical38.jpg
  • Ecclesiastical architecture
    ecclesiastical39.jpg
  • Ecclesiastical architecture
    ecclesiastical40.jpg
  • Ecclesiastical architecture
    ecclesiastical41.jpg
  • Ecclesiastical architecture
    ecclesiastical42.jpg
  • Ecclesiastical architecture
    ecclesiastical43.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral20.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral10.jpg
  • Ecclesiastical architecture
    ecclesiastical46.jpg
  • Ecclesiastical architecture
    ecclesiastical47.jpg
  • Ecclesiastical architecture
    ecclesiastical48.jpg
  • Ecclesiastical architecture
    ecclesiastical49.jpg
  • Ecclesiastical architecture
    ecclesiastical50.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral21.jpg
  • Ecclesiastical architecture
    ecclesiastical54.jpg
  • Ecclesiastical architecture
    ecclesiastical55.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral1.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    untitled-2.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral5.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral6.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral7.jpg
  • Sir Basil Spence's Cathedral
    untitled-2.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral9.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral11.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral12.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral13.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral14.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral15.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral16.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral17.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral18.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral19.jpg
  • Coventry Cathedral by Basil Spence is unique in that it is tied into the warp and weft of the old Cathedral which was damaged during the 2nd world war. The interplay of space, texture, colour and circulation is second to none in a modern cathedral. Sir Basil Spence's Cathedral
    Coventry Cathedral22.jpg
  • All Saints Church Cambridge by Bodley is cared for by the Churches Conservation Trust. It was designed by Bodley and has interior decoration by significant members of the Arts and Crafts movement, such as, William Morris, Burne-Jones, and Ford Madox Brown
    All Saints Cambridge1.jpg
  • All Saints Church Cambridge by Bodley is cared for by the Churches Conservation Trust. It was designed by Bodley and has interior decoration by significant members of the Arts and Crafts movement, such as, William Morris, Burne-Jones, and Ford Madox Brown
    All Saints Cambridge2.jpg
  • All Saints Church Cambridge by Bodley is cared for by the Churches Conservation Trust. It was designed by Bodley and has interior decoration by significant members of the Arts and Crafts movement, such as, William Morris, Burne-Jones, and Ford Madox Brown
    All Saints Cambridge3.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-18.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-45.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-12.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-16.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-22.jpg
  • Hexham Abbey, Northumberland
    hexhamuntitled-81.jpg
  • Spiral stairs to organ loft at Hexham Abbey
    latest5.jpg
  • The roof medieval crown post roof of St. Peter's Church Swingfield Kent cared for by The Churches Conservation Trust
    Tip1.jpg
  • All Saints Church Waldershare Kent, cared for by the Churches Conervation Trust. Waldershare
    Waldershare21.jpg
  • All Saints Church Waldershare Kent, cared for by the Churches Conervation Trust. Waldershare
    Waldershare31.jpg
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